AVAM’s newest exhibition takes on its most complex subject yet: examining the rapid and ever-increasing impact of artificial intelligence, robotics, nanotechnology, genetics, 3D printing and Big Data on nearly every aspect of human life. This thought-provoking exhibit investigates technology’s influence on issues of privacy and surveillance, employment and manufacturing, longevity and health, defense and warfare, farming and food, access to global and personal information, creative invention, and entertainment.
This is high stakes, new territory never before negotiated by any prior civilization. Kevin Kelly, co-founder of Wired Magazine, well-defined the unprecedented nature of our times: “Singularity is the point at which all the change in the last million years will be superseded by the change in the next five minutes.”
Curated by AVAM founder and director Rebecca Alban Hoffberger, this stirring show harnesses the enchanting visual delights of remarkable visionary artists and their masterworks. A few of those artists are discussed here:
Neil was born with achromatopsia, a condition that only allowed him to see in grayscale. In 2003, he took part in the development of the eyeborg, a cybernetic eye permanently attached to his head that allows him to hear the frequencies of colors through bone conduction (including infrared and ultraviolet).
Harbisson started to feel like a cyborg, a union between his organism and cybernetics, when he started to hear colors in his dreams. Since then, he creates “sonochromatic” artworks and performances that explore the relationship between color and sound, and the relationship between bodies and cybernetics. In 2010, he co-founded the Cyborg Foundation with Moon Ribas, an international organization that aims to help people become cyborgs, defend cyborg rights, and promote cyborgism as an artistic and social movement. (Neil Harbisson bio courtesy the Cyborg Foundation, http://eyeborg.wix.com/cyborg)
Kenny Irwin Jr brought a special installation from his Robo-Lights display, glowing inside of a central black box theater at the heart of this exhibition.
Kenny is an incredibly creative artist who has a two acre art park located at this home in Palm Springs, California where his father owns a spa and resort.
At the age of thirteen, Kenny began his ornate and imaginative RoboLights installation. In its first year, the installation featured fifteen thousand lights and has now grown to well over six million and draws visitors from all over the world. Some of the sculptures include over two hundred robots and – some as large as 68 feet tall and weighing in at over 54 tons.
In 2010, Kenny was asked to create original sculptures for the ‘Conan O’Brien Show’.
His sister Carol explained that Kenny has been able to remember his dreams since birth and they have inspired many of his sculptures and drawings. His dreams are always about other forms of life, ultra-advanced technology and tell a coherent story from beginning to end.
O.L. Samuels’ works mainly with found wood, such as tree trunks, roots, and old wood furniture, which he will carve for months at a time. Samuels is color blind yet paints several layers of wild, expressive colors ‘using every color so he doesn’t leave any out.’ He is known for his imaginative images, featuring dreamlike figures, and mythical creatures, each with a story about its existence.
His work often has a spiritual message. Samuels became a lay minister later in life. He is considered one of the most talented self-taught artists in America by museums across the country.
His 7′ tall ‘Godzilla’, a creation first imagined in response to the devastating use of the A-bomb on Hiroshima and Nagasaki, greats visitors on the second level of the exhibit.
Allen Christian began crafting art in the first grade. He continues today making singular works of art fashioned out of everyday objects, from bowling balls to badminton birdies. Christian says he ‘discovered the essence of humanity through four objects, through inanimate objects that are cast-offs…I try and give these inanimate objects a new lease on life, to imbue them with emotion.’
Allen displayed two collections – the life-sized ‘Piano Family’ representing ‘String Theory’ (made from spare piano parts) shown below and a robot made from various ‘trashed’ parts as shown on the left.
Alex Grey began his investigation into the nature of consciousness in the 1970’s through Tibetan Buddhism and the study of the human body. While employed at a medical school morgue led to a unique series of artworks entitled “The Sacred Mirrors” which portray an ‘x-ray’ of multiple dimensions of reality, interweaving physical and biologic anatomy with psychic and spiritual energies. Alex’s oil on linen painting ‘Gai’ from 1989 is seen below. (Note the twin towers and two planes on the right of the tree. – quite an eerie site.)
Alex Grey was born in Columbus, Ohio, the middle child of a gentle middle-class couple. His father was a graphic designer and encouraged his son’s drawing ability. Young Alex would collect insects and dead animals from the suburban neighborhood and bury them in the back yard. The themes of death and transcendence weave throughout his artworks, from the earliest drawings to later performances, paintings and sculpture.
Grey’s unique series of 21 life-sized paintings, the Sacred Mirrors, take the viewer on a journey toward their own divine nature by examining, in detail, the body, mind, and spirit. The Sacred Mirrors, present the physical and subtle anatomy of an individual in the context of cosmic, biological and technological evolution.
Dean Millien grew up without store-bought games and toys and began at an early age making his own miniature sculptures and animal creations that he called ‘tin things’.
Starting with miniature sculptures rendered out of aluminum foil or spine, Millien has only recently has begun to create life-size figures.
His creations have a wide following and can be found in collections such as Citibank, J. Crew and Paper Magazine. His giant all aluminum foil ‘Gorilla’ is part of the AVAM exhibit.
Fred Carter came from southwest Virginia in a area known for its lush wooded mountain area and the legendary woodsman, Daniel Boone. In growing up, his home was filled with music, books and Native American artifacts from the surrounding area.
Fred’s adopted son died tragically – an event that would influenced his artistic practices for the rest of his life. At the young age of 72, now in his second marriage, Fred became a father again. Fred was always a hard worked and had helped run the family farm from boyhood and became a capable stonemason.
Using his various talents, He founded the Carter Home Improvement Company. Wanting to educate young people in the ways of their independent pioneer forefathers he gathered his collections of farming, mining, and other artifacts and founded The Cumberland Museum in 1970.
Until his death in 1992, Fred stayed abreast of word news, always struggling to better understand humankind’s addiction to war, cruelty, destruction of nature, and the devastation of so many drug-addicted young people. ‘Man is becoming so dehumanized and desensitized’ Carter said. ‘The Biblical people would call that Armageddon. Its just the destruction of man by himself.’
Fred’s massive wooden carvings were created as a warning of destruction from industry’s manipulation of nature.
Dalton Gheti, comes from Sao Paulo, Brazil. At an early age, Dalton, like most young students in Brazil, carried a small pocket knife to school. While the other children brought their pocket knife to sharpen pencils, Dalton, however, used his to cut intricate patterns into the pencil wood, as well as in soap and chalk.
Today, Dalton likes carving in pencil graphite because ‘it’s homogenous, cuts in the same direction (not like wood which has a grain) and is both hard and soft’. Dalton uses on magnifier when he creates – only patience with some of his pieces taking years to complete.
All of his works of art are signed in pencil.
Steve Heller grew up in Brooklyn and Queens, New York. His inspiration came from his father who was always fixing the neighbors small appliances. After being introduced to Picasso’s Baboon with Young, a bronze-cast sculpture in which the figure’s head was rendered with toy cars, ‘That was it,‘ said Steve, ‘cars have been my life since.’
As a youth Steve combined parts form model car and airplane sets to create composite machine models. Later the parts came from scraps he found near the park. He became a full-time artist by the age of 25, having never studied art.
His childhood interests in ‘cars, robots, rocket ships and dinosaurs…’ continued to be his obsession. His custom car, the Marquis de Soto, recently won The New York Time Collectible Car of the Year Award.
As visitors enter the second floor exhibit, they are greeted at the top of the stairs by one of Steve Hellers robots made from car parts.
Watch Chris create ‘Masturbox’ as discussed above.
Frank Warren discussed his Postsecrets project that he had started in 2004 by inviting people to share their secrets on a postcard anonymously. He set just two criteria for these submissions: 1. The secret must be true, 2. It must also be something never revealed to anyone else before. Since then, Warren has received more than 700,000 postcards.
The cards artistically express some personal desire, hope, fear, humor, humiliation, confession, and much more. Surprisingly, the single most common secret people send in is some variation on the personal revelation, “I pee in the shower.” The first four compilations of Warren’s chosen best secrets each made The New York Times Best Sellers list. His fifth book, PostSecrets: Confessions on Life, Death, and God, resulted from a collaboration with the American Visionary Art Museum on their exhibition, All Faiths Beautiful.
PostSecret is an ongoing community art project with a huge web-based readership (over 600 million hits since it went live). Over the years, Frank Warren and the PostSecret community have raised more than $1,000,000 for suicide prevention and Frank has been awarded the Mental Health Advisory Lifetime Achievement Award.
David Knopp brought his hand-carved ‘Chair’.
David is a sculptor whose use of plywood as a medium has brought the essence of line and life drawing into the third dimension. He was selected as one of the 2011 NICHE Awards finalists.
While studying life drawing, his focus was drawn to the aesthetic qualities found in the use of line. A single drawn line can express gesture and movement, direction and depth on a flat surface. Over the years, he strived to convey these qualities in his drawings. Moving toward sculpture, he carried these disciplines to another dimension by working with plywood.
Julian Harr was born on an 80-acre farm near the Umpqua River, in the foothills of Oregon’s Cascade Mountains. The eldest of six children, Julian was so naturally gifted at math that he not only became the first person in his family to attend college, but was given full scholarship by the University of Oregon in Eugene.
In Julian’s third year at college he had a nervous breakdown—an experience he now thinks providential, as it afforded him the opportunity to hit the road. After hitchhiking to San Francisco, Julian met with a like-minded friend, and together they traveled to Chicago to cash in on the spoils of the first urban renewal wave there, where whole neighborhoods of old Victorian houses were being leveled. One step in front of the wrecking ball, they took mantels, chandeliers, stained glass panels, and copper and brass fittings, reselling them to antiques dealers.
It was around this time that Julian started to make things from the wooden bits he salvaged. He discovered a bohemian artists’ colony on Chicago’s North Side, and became a woodworking apprentice there. But his creations remained a true reflection of his fierce independent thinking, incorporating a lifelong passion for science, philosophy, and a natural dark wit.
AVAM is located in Baltimore Maryland near the Inner Harbor. During the year this unique museum hosts some most unusual, cutting-edge exhibits. And this year is no exception. This exhibit opened to the public on October 5 2013 and runs to August 31, 2014.
This article only addresses a few of the many artists that displayed their works and not all had been completed in time for the ‘media day’ that I attended.
If you are in the Baltimore Maryland area, I would highly recommend taking the time to drop by and see this exhibit now that it has been completed.
Photos are available for review on myImagez.com.
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